Digital pieces

2025: the year in graphics

For the past few years, I’ve celebrated December by reflecting on what I saw, what I shared, the places I was invited to, and what I created throughout the year. I like to look back, remember the lessons I’ve learned and revisit the good times before starting a new cycle. So here we go once more:

–Jamaica, L.A. & Washington D.C.–

A map of aircraft response over the city of Los Angeles after the wildfires in Jan 2025

2025 was a fund and extreme year. I spent the first few days of the year on the warm beaches of Jamaica trying to escape the cold of New York. News were just around the corner, waiting for me to kick off a busy year…

Just a few days into the 2025 large areas around L.A. went into flames, we did a few stories around it including this story looking at critical 24 hours of emergency there. I did so many maps and visualizations for it that I even made an entry on my blog about it, scroll down and click the “load more” button until you reach entry number 10 to see some animations and aircraft visualizations like the one above.

A map of the American Airlines plane that crashed with the Army helicopter in Washington D.C. in Jan 2025

January also saw another emergency when an American Airlines plane crashed with a military helicopter. I jumped in with some quick maps and reporting alongside my colleagues. Life sometimes is ironic, after starting this way the year, I think this was one of the years where I travel the most both locally and internationally. Luckily for me I did not got exposed to any dangerous situation… not even turbulence.

–Gaining momentum in NYC–

Being the shortest month, February really flies by!
I spend most of the month planning projects and looking close to a range of things like data centers, the role of AI, the transformations in the battle fronts in Ukraine and even patterns in the butterflies populations. I don’t feel totally safe sharing a screenshot of my calendar, but it’s crazy to look back and see the many diverse meetings I had in February to chat about these and some other projects.

The dragon above (Víbra)
This year I wrapped out my second year of my Sunday sketching exercise. That was a fun project for fun I did every Sunday, but after getting myself into way too many things I paused for a while after finishing it last summer. The image above belongs to week 87 of the project!!! (35 of the second cycle). The plan is to bring it back once I finish a few other fun projects that I’m cooking.

February might looks a little empty here, but it was super intense too. The first things I published in March (first story the 3rd) was all made through this intense a diverse planning in February.

It’s kind of funny to look back and remember moments by looking an old calendar. Give it try!

February was also the start of planning an SND project that I thought I could easily get off the ground; however, the initiative to create the SND mentoring program took me a few more months, as you will see later here.

–War, Butterflies, city spheres, Artificial Intelligence & Boston–

A sketch to explain how the frontlines in Ukraine evolved after the extensive use of drones.

March was the month to collect the harvest. Just 3 days into March I published this story showing how the front lines in Ukraine changed with the intensification of drones as a main weapon. Drones have taken land, air and sea as main drivers of fight, so we used testimonials, maps, illustrations, videos, photos and more all packed into a tight piece in collaboration with the International desk. I work a lot with them, not just because of the visual potential in these stories but because of the smooth relationship to create pieces together.

A butterfly doodle

Just 3 days after that war story, I did a little collaboration looking at butterflies and how their populations are declining or proliferating (spoiler, mostly declining). The project was super fun, but I did not had the chance to do all the stuff I wanted to do since a source provided a ton of good material.

In March I also published a personal little project to my carto blog, funtography. The ideas was simple, grab a piece of a city and make it its own little planet. Each sphere is a sample of about 80 km2 of various datasets. I choose a few cities with some particular meaning to me and render out a few of these just for fun:

A map of the central valley of Costa Rica showing built areas as an sphere rendering

After all, what’s life if you need to be serious and narrow your focus to work only. Take a look to entry 11 of my maps blog to learn more about that project.

A diagram of a datacenter cooling system

After the war and butterflies stories went out, a week later the piece about artificial intelligence was also published. I used a bunch of different techniques to explain how the surge of A.I. changed data centers and many other things around. This story includes hand-drawn maps that I made frame by frame to create a spinning globe in combination with some video assets. I also used animated gifs to explain computer processing, diagrams like the one above to show readers how the data centers are also changing and a few other things there too. It was a fun story to produce, take a look if you have time for a fun experience: How A.I. Is Changing the Way the World Builds Computers .

Hello Boston!
In March I also went to Northeastern University in Boston where I shared a little bit with students of design and journalism for a series of talk they do with professionals called IDDV360. I had a good time in Boston earlier this year.

In March I also showed up as guest speaker to a class at the School of Design of the Hong Kong Polytechnic University. I like to share experiences and exchange ideas as much as possible, specially with students.

–Health coverage & SND Minneapolis–

After a crazy busy March, I entered a new project to respond to the measles outbreak in the U.S.

This disease is simply terrible. The effects it has on the human body are devastating, and to make matters worse, children are often highly vulnerable if they don’t receive a vaccine, as is the case for many children in the south of this country.

The piece I did aimed to show how measles attacks the body and that, in many cases, after prolonged suffering, death is common. When I published this piece, there were nearly 700 cases; today, the tracker has doubled that number and continues to report more and more.

Hello Minneapolis!
It’s funny how many times I have visited Minneapolis for different reasons and 2025 was not the exception. The SND annual competition, the board’s in-person meeting and a short workshop was hosted in the QH of the Star Tribune. These trips have many cool things blended. So many friends come together, there’s also the inspiring portion of seeing some of the best pieces of journalism that media produces all over the world over a year, great views of the host city, of course time for museums and social life too. You go back fully reloaded to get back on your own pieces.

–Planning, sketches and virtual tour to Peru–

In May, I pushed to my cartography blog a new entry about the Kerguelen Islands (scroll down to entry number 12), there’s something in the geography of this place that is so appealing for maps, I have seen a lot of good professional cartographers doing great stuff with these islands.

In May, there was another slowdown for planning, some projects materialized, and others were canceled; meanwhile, I virtually presented to students from South America some of the work we do at the Times and how my passion for graphics led me to this company. I feel joy in sharing with students, I would like to travel to South America sometime and do this in person perhaps.

By May I was in week 99 (or 47th of the second cycle) of my sketching project looking at the Qatari “lord of the sea”, the light at the end of the tunnel was almost there!

In May I speak to a class of design from Belgrano University in Argentina. I was nice to see so many students gathering for the presentation, organizers told me that some +100 students joined both in person and virtually.

–Breaking news, military parades, Florida and South Korea –

June was super intense and exiting, one of the first thing I did was a piece showing how regimens use military parades for different purposes, from diplomacy to the show of muscle, to leaders glorification, to acrobatics and pride… all in the eve of a celebration of a new parade in the United States for the first time in a long time.

Then I collaborated in the rush of the breaking news when the U.S. stroked Iran’s facilites, and a follow-up to the damage caused to strategic infrastructures. Just a day or so later, I also contributed to visualize the impact of a bomb into Iran’s Nuclear Facilities and the difficulties around it.

Early in June I also went to Florida to attend the Outlier as speaker where I shared a bit of my career and the stuff I’ve doing in the last 20 years of my life. The organizers recorded the presentation and it’s free to play in youtube now. Take a look below if you have 30min to spare.

No more mythical creatures!
In June I also wrapped out my second year of doodles, a project in which I dedicated every single Sunday for 2 years finally came to a break to re invent. 104 entries later I finally paused this crazy idea posting nonsense illos just to give room to other projects.

I have some plans to retake this into a different shape, if you follow me in social media you might hear about a new crazy idea involving illustrations soon.

Hello Seoul!
After I finished my silly illustrations cycle, published a few pieces on the news, did a conference in Florida, visited the Little Habana and celebrated some birthdays with my family, I packed my bags for an assignment in South Korea. That was my first time in Seoul, I got the chance to meet almost all the colleagues working at the NYT Korean Bureau and prepared myself to explore the place, learn from the team and enjoy Seoul.

While I was in South Korea, I started one more personal project, like if I had a lot of free time to divide my attention… I was waiting for my colleague Pablo to come over to the parking lot in the office and started to sketch passing by people, really quick. Then I thought, hey… would be nice if I do this in every city I have been this year? A quick sketch, probably imperfect, but just to remember fragments of my travels and special moments. I’ve done several, but time has caught up with me… In some places, I couldn’t sit down to get out my sketchbook.

My 2025 travel journal
Some pages of my 2025 travel journal

Perhaps I’ll try to finish my 2025 travel journal in the last days of December, although it wasn’t the original idea to do them while I was there. Maybe next year, hehe.

–Seoul & Hong Kong–

During July I continued to prepare stuff for future projects, but I did a quick map and a series of little illustrations to compare the Chinese aircraft carriers with some of the biggest warships from other countries. This due to the increase of the Chinese activity in the Pacific waters near strategic U.S. and allies bases.

Hello again HK!
During my assignment in South Korea in July, I took a weekend trip to Hong Kong to visit friends. I had left the city more than six years before, but it was wonderful to return: the sounds of the traffic lights, the trams, the subway announcements, people speaking Cantonese… Everything was so familiar and pleasant that it brought back so many good memories.

After my short visit to Hong Kong I returned to finish my work in South Korea, but I went back so nostalgic. I visited my old neighborhood, took the same ferry I used to take every day, saw old friends in the same spots we used to visit regularly… I guess the nostalgia came to me because when I left the city in my head it would be so difficult to comeback that it was never a real opportunity or idea in my head… and suddenly I was there again! ❤️

–The weather and a little summer break–

In August I finally published this piece we delayed for so long… Many reasons hold the piece, but it was meant to explain the vast symphony of instruments necessary to get you the forecast in your phone using some 3D animations, audio and data into a swipe story format.

I think that one of the most important assets of the meteorological industry is the people behind all these instruments, the scientists who have dedicated their lives to processing data and providing information that makes it possible to know when it’s going to rain, as well as the extreme weather alerts that save millions of lives.

In August I also contributed with my colleagues of International to put together a piece explaining why it was so difficult to asses the damage caused to Iran’s nuclear facilities after the U.S. attacks. Fordo is a facility burred depth into the heart of a mountain, very little was known about the facilities it self so it’s hard to tell if the bombing of it was efficient or not.

Then summer arrived. My son has very little time to completely disconnect from his responsibilities, so at the end of August I took the opportunity to go on a short trip 100% dedicated to history (he’s a huge history buff). It was great spending a few days exploring historical sites and thinking only about what would be good to eat in Europe.

–Ukraine & Costa Rica–

During September I turned back my attention to the war in Ukraine, I partnered with Thomas Gibbons-Neff to do a piece looking at how tanks are changing in due to the extensive use of drones. I did a backstage story here to look at the process behind and a little bit of the context if you want to review it once more.

September is also the month to celebrate of my natal country, along with many other countries in Latam, Costa Rica celebrates it’s independence of Spain in September 15, since I’m far away from my land, I did a little map in my blog. Look at entry 13 for the full version of it.

–Washington D.C. and giving back to the community–

In October things got crazy with a few projects, mostly in response to the renovations in the White House. This was part of a large project we spent some time working on, but with the rush of the news and the demolition of the east wing, the project broke apart into smaller pieces.

The first was a highlight to 5 major renovations of the White House. Then some notes on the envisions of Mr. Trump after the demolition of the east wing, and finally one more looking at the evolution of the plans the White House presented for the future of the east wing.

Since my work responds to whatever is in the news, sometimes I have to do stuff related to politics. But as I state in my NYT byline page, I don’t participate in any political parties in the United States or abroad, and I choose to remain neutral on political matters.

September 2025 was also important for my alter-ego personality, I joined the SND Board of Directors with one mission in my head only. Help others involved in areas like news, arts, design and communication and narrow the distance between students and professionals around the world in those areas.

One way of doing it was to push an idea through the SND to create a free mentorship program with Universities in North and South America, Asia, Europe and more. The initiative officially launched in Nov. 2025, but we will see results until next year.

I hope this program can keep going for many years more to reach as many people as possible. Learn more about it on SND’s website at snd.org/join-the-snd-challenge/

In October I did 2 presentations for students, one virtually as guest speaker to ‘Semana del Diseño’ from the Peruvian University of Sciences (UPC), by invitation of UPC school of Design. Then a second session in person here in New York to a Datavis class at the Cooper Union for the Advancement of Science and Art.

–sky, water, maps–

November started with news from the U.S. Federal Aviation Administration responding to the Government shutdown and preparing the people for delays and cancelations across the U.S., I spend a few days preparing data updating maps and sketching ideas to react to the event. Eventually another project pull off from the effort but my colleagues continued to update the story for about a week, some days even with updates in the morning and in the afternoon.

A bunch of colleague and I jumped into the most rushed project I have worked this year so far.

Earlier this year, while I was on assignment in Korea, I collaborated to a breaking news piece looking at the flash flood that killed several in a camp site in Texas. After that, some of my colleagues continued to look into data simulating the water levels of that night.

However, the rush begun when the lawyers send a heads-up to the Times saying they were suing the camp for what happened there. Basically we talk to both sides and got access to exclusive information with way details that we know before. All of this under one condition, whatever we publish, we have only 5 days to do it before all the material become public.

In such a rush, a few of us rushed to the camp to fly drones collecting lidar to create a 3D model of Camp Mystic, take photos, do interviews, process data, create animations, maps and setting everything that usually would take minimum a month.

It was a tremendous effort from my colleagues, I helped a little bit putting together pieces and helping construct the narrative, I think now days my roll is less and less in the heavy production and more into the support of others helping with concepts. You can take a look to the piece here.

November was also the moth for the map challenge, yeah one more challenge, why not?

I was in the mood to do the whole challenge following the prompts they publish earlier. However, things rarely go as planned. My own curiosity and procrastination caused my to derail from the goal, and projects like the Texas flood reconstruct added the final stone to the idea. You can read a little about me setting obstructions to this idea in one of my infofails post here.

Anyway I managed to do a few maps to join the celebrations. Of course, not on time nor the whole series. I like the one about aircraft because it has additional context, not just a map, but a little story behind. You can read about it in my mapping blog here, just look for entry number 16.

Some other maps like the one of Myanmar’s political violence also made it, that one was in the highlights of Datawrapper’s Dispatch. It was nice to see it there because even tho the whole thing did not ended up like I wanted to, some people appreciated the few pieces I managed to do.

November was heavily packed. In the last week of November we published one more piece looking at the situation of one the city’s biggest headaches, the Cantilever section of the Brooklyn-Queens Expressway. It’s a section of road carrying 130,000 vehicles every day, today is 70-years-old, it’s falling apart and to this date (Nov. 30, 2025) there’s no consensus on how to fit it.

The piece is full of 3D renderings, maps, video, photo and illustrations, but one of the things that I enjoyed the most was to conduct a visual survey of the piece. We rented a car and drove up and down in the crumbling structure to document with 360 footage every single patch that the city has installed to prevent pieces of the cantilever to fall on top of passing-by vehicles. It was almost like our own version of google street view but way more detailed and in crazy high resolution. You can see a glimpse of the 3d footage in this promo video we did.

In November I jumped into the scenario once more for a live interview with Reuters reporter Ben Welsh. The interview went around our practices in journalism, trust in data, collaborative reporting and a touch of the surge in artificial intelligence. The event was organized by the School of Visual Arts, SVA in the frame of the launch of their new Data Visualization and Communication program. Here’s a recording of the interview:

Students, Rhythm and Ballrooms

December kicked off with a talk to a class from the Craig Newmark Graduate School of Journalism at the City University of New York (CUNY) hosted by The New York Times. It’s nice to wrap-up the year with one more session for students.

This month I’m adding a new section to my website, I’m adding little stories with interactive features, some animations and touches of humor. It’s like a playground to me where I want to put stuff I found interesting about random things. You can dive in with me into some slightly nerdy topics on my website; this month I’ve prepared a story about sounds and rhythm.

–Rhythm. MH Playground.

Before the year ended, discussions about White House renovations resurfaced. The first of the month concerned the details of the ballroom renovation plan, after the president announced he would change the architectural firm in charge following constant disagreements.

You can take a look to some 3D models we did here to show the latest know about the multi-million project of the Trump administration for the White House.

In the next few days we will be publishing one last story to close out the year and get some rest. Meanwhile, I wish you all the best in this new beginning and a productive and prosperous 2026!

…see you in 2026, ho ho ho.

Some collections along the same line:

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Digital pieces, infofails

infofails: 2024 mapping destruction across the U.S.

A while ago I started to look at the API of a company that does high res aerial imagery overlapped with FEMA’s damage reports. Truly it’s a great and detailed resource, here’s an example of the data, each dot here is a building classified by FEMA after a weather disaster, in this case a 2023 tornado in Little Rock, AR:

Data sample from VEXCEL API.

My original idea was to putt together all the destruction in 2024 across the US. And to some extent, I managed to extract all the information and create some visualizations that look like pages from a book written in an ancient language. Below is an unpublished piece with buildings damaged throughout 2024 by natural disasters such as hurricanes, fires and tornadoes, the area in detail is the just the ones affected by 2024’s hurricane Helene:

A detail of the non-published piece “footprints of damage”

The abstraction of taking footprints out of the map was a fun idea, I think that shape allows you to see beyond the location, you can compare buildings, some states show larger damaged buildings, others are super tiny, also you can notice that there are places with larger clusters of damage due to certain events, works well to show scale of damage, but it’s a quite deep graphic with many layers of information.

I learned a lot from this project, for example I printed out SVG maps with the building footprint by county. But the dilemma was how to take each polygon and reposition it into line-blocks without changing the scale… That to thousands of polygons in different files. Python and js helped me out to read each of the 73 maps I got and align groups of buildings into these blocks.

I wrote my own script using svg.js, then a colleague sent me over this other nice way to re-arrange svg shapes using SVGnest, so fun! maybe this can help you if you are trying to achieve something similar.

An example of SVGnest.

However, looking at where all that happened is interesting, so I did a series of state maps to visualize clusters of damage. I created grids of 5km and counted how many buildings fall into each quadrant using one of the point analysis tools in QGIS. Then I took the result to blender to create one map per state like the one of Florida below.

The animation showed one of these maps per state while counting the cumulative number of damaged buildings each time a new state was added until each record for 2024 was complete. That for +57,000 footprints.

Focus shift

In a turn, I found that 2024 was a very active year for tornadoes, I did some interviews to researchers in different universities and found out more and more interesting data on these events, so the story went from mapping damage across the US to report on how intense the tornado season was in 2024.

All tornado tracks in the US between 1980 and 2023. Based on data from NOAA. (Green the most recent 20 years, gray the oldest. Same data as the one at the top of this article but in single shot.

I did used a little fraction of the footprints I prepared for the original story, but I guess this reflects how sometimes the stories can evolve into something else, talking to people might make you realize that there’s another interesting angle of things.

You can read more about the company providing the data for footprints and HD imagery on the tornado story I published at the Times here: [ UNLOCKED STORY LINK ]

A screenshot of the published page at the NY Times, Dec. 2024.
A screenshot of the published page at the NY Times, Dec. 2024.

Tornadoes turned out to be super interesting, there a lot of caveats on this data from NOAA, the CDC, FEMA and the private company doing the imagery. I guess my infofail here was spending too much time trying to map every damaged building in the U.S.

Digging into the data a little more and talking to experts can save you time and maybe, as it did for me, even give you a new perspective on a story you want to tell.


About infofails post series:
I believe that failure is more important than success. One doesn’t try to fail as a goal, but by embracing failure I have learned a lot in my quest to do something different. My infofails are a compendium of graphics that are never formally published by any media. These are perhaps many versions of a single graphic or some floating ideas that never landed.

In short, infofails are the result of my creative process and extensive failures at work.

Are you liking infofails?, have a look to previous ones:

01: Wildfires
02: Plastic bottles
03: Hong Kong protest
04: The Everest
05: Amazon gold
06: The world on fire
07: A busy 2021 kick off
08: Olympics
09: Floods
10: Doodles for news
11: Random Failed Maps

12: The Mismatch
13: Mapping Taiwanese Food
14: Mapping Damage in Ukraine

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Digital pieces

2024: The year in graphics

We’re leaving another year behind, and as usual, I like to close it with a summary of what I’ve seen, shared and created during the last year, so here we go:

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January: Santa’s surprise visit

2024 started slowly for me. In the middle of the snowy days, I did a quick trip to DC to boost my inspiration with the museums of the city and of course meet some good friends who live there. But one of the most delightful moments of last January was when I returned to the office on the first day after vacation. That day there was a mysterious package on my desk, it felt like a late visit from Santa, a wonderful book compiling cartographic works of Xemartin Laborde. I enjoyed a lot looking at the maps that Xemartin kindly shared with me.

The rest of January I spent it doing research on extreme weather events. And of course, looking a few times more Mappemondes and talking about geography with my son. Once more thanks Xemartin!

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February: Satellites

Back in February I was collaborating with the Climate team, Mira Rojanasakul and I did this piece explaining how the US East Coast is sinking, based on a recent study using radar technology onboard of the Sentinel constellation. I did a lot of iterations for this project, from maps styles to charts, illustrations and following up interviews with the scientist too. I spent some time looking closely at this data, looking for AOIs in various forms including levees, roads, bridges… I even looked at old records like this area of ​​Massachusetts mapped in 1838 to which I overlaid SAR detections (in red) to see where the land is sinking:

I had a lot of nerdy fun with this project, here’s a piece we did not used explaining one of the many issues this phenomena causes, copy was not proofread as you might note:

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March: A trip to Texas

In March, I made a trip to the border with Mexico with a couple of colleagues to report on the takeover of a section of the border by the National Guard. The story was titled “See How Texas is Testing the Limits of State-Run Border Control“.

We used a drone to fly over the Rio Grande in the area controlled by the military, we also spoke to locals to see how their routines had changed after the waves of immigrants and the military presence. 2024 was an intense year for immigration issues and it is likely that this coming year I will do some more reports on the subject.

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April: Gaza & Georgia

In April we kept an eye on the situation in Gaza, and I was part of a team tasked with investigating the deployment of the floating dock that the US intended to put at the disposal of Gaza to facilitate the entry of humanitarian aid. The project failed and ended up being dismantled. You can read more about that story here.

For that project I was working with Cinema 4D, but I’m using Blender more and more. That was the last thing I did in C4D in 2024, not sure if I would need it again in 2025. Should we all move to Blender anyways?

At the end of April I took a few days off and went with my family to northern Georgia and North Carolina, we spent some great days near Chatuge Lake and in the town of Helen GA, a super nice short vacation in the mountains.

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May: UCLA & Minneapolis

In May I collaborated with the Times Visual Investigations team to produce this breaking news piece showing How Counterprotesters at U.C.L.A. Provoked Violence, Unchecked for Hours.

That month I also took the initiative to travel on my own to Minneapolis to be inspired by the best of the Design Society that held its annual competition there, but also to see so many friends and colleagues who came together for a few days in this city from different continents.

May was also a month to monitor the development of the war in Ukraine, in the middle of the month Russian troops made an incursion near Kharkiv, I reported it with a map of the area showing Russia’s sudden push across Ukrainian lines.

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June: Ukraine

If you know me, you know that since I joined the Times I’ve spent a lot of time reporting on the war in Ukraine, I’ve made hundreds of maps, charts, diagrams and so many other things, but finally publishing this project that we had in our hands for about two years was felt really good.

In addition to the main story, we published a few other pieces like this video where I give a little more context to what we did, and if you follow this blog, of course you’ll remember the backstage story I posted here.

Hello Chicago!
In June I also traveled to Chicago to attend for the first time The Outlier, a conference organized by the Dataviz Society. I really liked it because of its diversity. You can find people from very diverse sectors with great energy it’s a great community. Of course, what we all there had in common there was that we all work with data to tell stories. If you also work with data and want to see for yourself, in 2025 it will be in Miami, I’m sure it will be great again.

Love to see an screenshot of my map at Kuhu Gupta talk at #outlier2024 we add those little things to provide a better context to our readers of what they are looking at.

Marco Hernández (@mhernandez.bsky.social) 2024-06-13T15:27:46.252Z

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July: Los Angeles & Milwaukee

This year I have traveled a lot within the US. At the beginning of July I was in Hollywood giving a workshop at the annual conference of the Association of Hispanic Journalists (NAHJ). I’m very pleased to know that many attendees started to use the tools and sources that we shared. Helping others who are at the beginning their careers is very gratifying for me.

Run Marco, run!
Upon my rushed return to New York over a weekend, the very next day I grabbed my Secret Service credentials and prepared to travel to the Republican National Convention in Wisconsin. The Times sends several reporters and photographers to these events, so it doesn’t make much sense for us to do exactly the same stories, so we focus on doing pieces with a twist.

My colleague Ashley Wu and I went there to listen, interview, and sketch scenes we encountered at the convention to capture the atmosphere of the convention un-staged, you can see all 20 scenes here.

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August: Back to Chicago

In August I was back in Chicago, and my colleague Ashley and I traveled to the DNC to replicate the same format we published with the RNC. The experience was a bit different as expected, but it was an interesting exercise. You can see all the 20 scenes we captured from the Democratic National Convention here.

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September: Scrolling & a train to Boston

During September I collaborated with colleagues from Times Magazine, basically we were investigating the actions that Trump had described up to that point to use the judicial system and other methods against his political adversaries. Here’s a nerdy fact: This scroll-driven piece was built with After Effects and an internal tool that spits out json files, those files are then interpreted by Svelte components to generate the story you can see. If you want to read more about that story here: Trump Wants to Jail His Political Adversaries. Here’s How He Could Do It“.

Hello Boston!
I spent the last days of September in Boston with my family. We walked a lot to enjoy the magnificent architecture of the city and its museums. I already have plans to go back there to share some slides and stories from my work with the students at Northeastern University.

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October: Roads & Whales

In October I collaborated with the talented Leanne Abraham and a few other colleagues on this story about how things are much more difficult if you are a Palestinian driving on the streets of the West Bank than if you are an Israeli. You can read more about this story here. My role this time was very much tied to narrative analysis and video editing, but I loved seeing Leanne’s process, I have a lot to learn from her to make better maps.

In October I did a quick collaboration with the Climate Desk to tell the story of Squilla, one of the last remaining right whales, and the challenges her species faces. Learn more about Squilla here.

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November: Polls time

In my case, it was weeks of preparation, hundreds of graphics, concepts and templates that I created in anticipation of the first US results coming in. Personally, I was astonished at how quickly things moved, as all the maps quickly turned red… and you know the rest of the story. The first thing my team published was this piece showing the trend of shifting to the right, that’s the screenshot above.

Then the following day we published a second piece looking closer to the decisions made by different groups in swing states. We introduced these “snake” graphics in the piece titled “See the Voting Groups That Swung to the Right in The 2024 Vote

I did a lot of pre-sketching to conceptualize those graphics using test data, but it’s hard to predict what the final result would be, a lot of the pieces we designed and programmed weren’t used, but it was necessary “just in case”.

A new website
Shortly after the elections, I launched a new website too.

I'm starting a new page to put all my mess in one place. I added a bit of humor with little illos all around. The plan is to have an arcade of pieces I've worked on, illustrations and maps from my blogs and some other stuff. You can check it out here: mhinfographics.github.io

Marco Hernández (@mhernandez.bsky.social) 2024-11-08T22:49:37.797Z

I’ve been working on this for a while because I felt like everything was so scattered here and there. I’m still making improvements and I hope to eventually consolidate everything into one place so I don’t have so many separate domains, but I think it will take me more time.

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December: tornadoes

Earlier this year I went down a rabbit hole to understand the data behind tornadoes a little better. Shortly after, by coincidence, I also stumbled upon a company that does damage analysis after natural disasters; the data was just astounding, so I held onto it for a while before pitching the idea with the goal of coming up with a slightly more solid draft with some real data, aerial imagery, and maybe even a super detailed graphic of all the destruction from the year across the U.S., or that was my idea in my head, you might saw the story of how that went few days ago.

But anyway, the story turned a little bit into a more specific and narrower angle, I had the opportunity to learn a lot from many researchers I spoke with, it was a nice way to close the year doing maps and charts. You can read the piece here if you want to learn more about it, its an unlocked link for you. I still have a few more things in the works, but since vacation mode is coming, these projects probably would be in my 2025 year in graphics, leading January as the new beginning.

2024 was a wild year at work, I wish you the best in this new beginning.

See you all in 2025, Merry Christmas!

Some collections from previous years

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Digital pieces, infofails

Visualizing the destruction in Ukraine: A years-long project following satellite clues

In June 2022, with a very basic understanding of the SAR technology, I started to use Sentinel-1 data to report on the progression of damage in Ukraine. Shortly after, Tim Wallace, our Editor for Geography connected me with Oregon State University, Jamon Van Den Hoek and City University of New York, Corey Scher, two leading researchers in the field of InSar sensing. They have been using this technology for a long time and were also exploring its use in Ukraine shortly after the beginning of the war. They have also help us to analyze the development of destruction in Gaza more recently.

Corey and Jamon help us to process terabytes of data to flag areas where structural changes happened. The first rounds were a challenge, the data is so sensitive that it was influenced by things like vegetation, soil conditions and snow. Things like mining activity, construction areas and train stations represented a challenge too.

A mine in Poltava. Red marks flag changes happening in the surface. BASE IMG BY PLANET LABS.
A port area in Odesa, red flags showed up probably due to vegetation and the moving shipping containers. IMG BY PLANET LABS.

Somehow we needed to filter out all of those things. I was doing a roll of analyst testing the data the researchers provide with HD satellite images. I spent weeks looking at the areas flagged to find things that maybe interesting to highlight later, but I also encountered weird stuff, which is normal in early stages of data analysis.

The image below is an screenshot of one of the many QGIS files I created to explore things in different ways, the rectangles there are areas I flagged for myself to follow closer.

While exploring the data, I also noticed these long straight lines, which seemed to be the data tiles overlapping or something.

Looking down from space

I used QGIS, the Planet explorer, Maxar imagery and Google earth to crosscheck the data and be sure we were pointing at real damage related to the war and not something else.

Hundreds of buildings destroyed block after block after the battle for Mariupol, this is a detail of one of those blocks. IMG BY MAXAR, May 2022.

Every corner of the country had its own story to tell, some bettern known like the case of Mariupol, but during my exploration I learned about many places I had never heard of before, many villages that were destroyed far from the media spotlight.

A destroyed school in Izium. IMG BY PLANET LABS, March 2022.

In the satellite image below, the town of Kamyanka, in Kharkiv, shows the remains of what were once homes. When you look closely, you can notice the multiple craters, presumably caused by explosions.

IMG BY MAXAR VIA GOOGLE EARTH. March 2022.

Google has being updating imagery in Ukraine, this is one of those places you can easily see with Google Earth. As I’m writing this post the buildings are still in ruins accordingly to the image from August 29, 2022.

Damaged buildings… but what type: houses? stores? military?

I used OpenStreetMap to identify some of the damaged buildings, however, even tho OSM has a lot of good data, I needed more to fill the gaps.

Around June 2023, Microsoft Bing released a great data set of millions of structures in Ukraine, so I merged it with my existing OSM records, and ended up processing +17 million of building footprints. But it was also a nightmare, I tried to use Google Cloud and a few more things to get overlapping records with the damage flags, short story… all collapsed. –I probably set it up all wrong.

Finally I found a quicker way using a script python, reducing the time of cross check from weeks to a few hours running the code in my laptop overnight.

After overcoming that hurdle, I began collecting evidence of sensitive damaged locations.

I first identified schools, but I accumulated hundreds of these images for hospitals and churches too.

New data sets were back and forth, from that first version to a better, more precise and clearer one including additional months of data. Meanwhile I was going through hundreds of photos, fighting and shelling reports and other damaged related information. We accumulated so much data since the war started that it took me weeks to classify all of it and get a better sense of the mayor events happening in different cities.

Photos from our correspondents in the ground and wire providers also provided dates and places to confirm damaged records in certain locations.
I also explored social media for evidence of damage, like this footage of a warehouse in Partyzanske in Mykolaiv Oblast, media by Мужской Клуб Донбасса via Telegram here: https://t.me/donbass_mens_club/3691

A dosage of ‘infofails’

If you have read my blog before, you know what an infofail is. But just in case, I tend to save pretty much all the stuff I do, even if it’s just for my own understanding of the information. Here’s a little of a wonderful date set I spent a lot of time in, but we left out of the project.

I did a lot of sketches to understand the data we have from fires, some seemed to align to the front lines after plotting the data like in the image below showing clusters of fire detections in a year.

Fire detections from various satellites clustered in grid cells, the darker the cell the more fires registered. Front lines data via ISW.

As I mentioned, we abandoned this data for editing reasons, but also because some months showed some sort of alignment with war events, and others just weren’t very clear. One idea I have was to use the large amount of photos we have showing explosions/fire in certain locations where the satellite also picked up a thermal signature.

I also rendered a 2022 country wide “calendar of fires” (see below), there’s one row per month, taller and warmer colors represent more fire activity, some months match intense battles around the country, unfortunately other seasonal fires were also blended in the data.

From a csv file with values of thermal detections, rendered in Blender.

In the image above, January is at top, note the 3rd line were the columns are taller and warmer. That matches when Russia launched its full scale offensive over Ukraine.

But the data also slightly varies by region, so I also did 2d graphics looking a different locations, including a few more data and in different sorting of time.

Sketching data

As time went on, I continued sketching maps and other visualizations for this project. This was not full-time dedication, while working on this project, I published 17 other projects and explored about 15 more that led to nothing or are still in progress. So I had to do quick and easy things to distribute my efforts. But let’s take a look to those quick sketches.

Part of my process is to annotate screenshots, just to remember things later. Below is an area of ​​Kharkiv, highlights in red are buildings damaged during the first months of the war in 2022.

This probably turns out to be obvious, but I found it quite interesting to see how in the first versions of the damage data some patterns emerged, the damage followed the roads leading to the cities. Can you see the lines too?

I spent long hours just exploring the map, turning layers on and off, adding before and after HD images, making things jump off my screen. Most of the exploring was made using Felt, Google Earth, Google spreadsheets and QGIS, screenshots and annotations on photoshop by copy+paste portions of my screen.

I did a lot of maps reporting on different of battles in other stories, so, some places seemed more familiar to me. Somehow the shape of the damage logs matched what I saw before, and that was a relief.

But also, other things, where it seems like the data tells a story that I can’t confirm. In the timelapse below, using the ISW control areas, you can see how perhaps Ukrainian troops tried to take this city, as the front lines move away, the records also cease.

Areas of control by ISW.

Ukraine has a huge territory, so I identified regions to look closer, sometimes because the change over time was interesting, or because the amount of damage registered. I guess my interest was too wide, I selected almost half of Ukraine, these are some quadrants I was interested in explore deeper:

Just to be clear, explore deeper mean I went on looking for more images, reading reports and blogs about what happened there… It took me months, but I did explore all of them.

I also did some sketches using 2d geometries based in the totals of area damaged per settlement.

I also sketched some of cities data through time using photoshop:

Then modeled in blender using an early version of the data, just to get a sense of a few cities and how they compare to each other. Note the colors are key in time, older records are cold (blues) while more recent are warmer.

Modeling data

We also tested some building height data, following the idea of ​​full 3D transitions from the photos we had of the Marinka town where we focused our story.

Transitioning concept from drone footage, to the city 3D model, to a satellite image.

We changed the top sequence a few times, but it was always focused over Marinka. The concept was to look close to a building with meaning to the residents, then scale to a street, to the town, to the region, to the country. That setting up to the reader the scale of data we analyzed.

Early concept to show damage recorded in Marinka

Here you have some of the first demos I did using the data on a larger area to eventually move the camera far enough to see the whole country.

Workflow

To get you an idea of my workflow, I started with a set of geotiffs, shapefiles and geojsons. We applied some python to filer the data and focus on the things we wanted, clustering data in different resolutions, then added all into QGIS to export tiff layers out. I used one black and white file for each feature, one for water, one for land, one for how high each polygon should be, one for color highlights and so on.

I like to use QGIS to wrap-up everything, but I feel better styling the data in photoshop, so some of the work in styles was done there, mostly color using the black/white tiffs as a mask over solid layers.

Then I exported a layer out of photoshop with colors and overall styles, plus one more with the elevation data matching the same crop from the original QGIS outputs.

Those tiffs went to blender to be rendered as 3d objects.

From blender, I moved all to After Effects. There is handled the timing, labels and transitions, a custom built script takes each layer and exports a single json file for the web component. The file includes the basic properties as position, styles and timing. The svelte component takes that and arranges the assets depending on what device you are watching on.

I tested a few different set ups changing styles and clustering, here’s one of those versions with a flight-over camera.

I did a few versions more just to find the one that feels right. Sometimes happy accidents happened like this inverted render, which is nice but not the thing I was looking for:

some more versions…

and versions…

Binary maps and storage

Many more versions later, I did a series of custom cities showing only buildings colored by damage as true/false. Red is damaged, by this point we were in the version 40 of the data, 1 terabyte of maps, photos, videos, scripts and many other assets. I bought an external drive for this project, every time I was going to move files I left my laptop running for a day or two to make sure I didn’t lose anything.

But that was just a little portion of the data we used. Corey and Jamon, the researchers you meet at the top of the long page, accumulated more than 50 times more data than me to get the right data set for this article.

Around +40 versions later, we landed in the definitive data set.

Introducing the story for readers

The story was almost there, but some small tweaks here and there, mostly in the copy side and technical descriptions, but there was yet one more thing to take care about, and that was explaining and introducing this to our readers in the home page.

I prepared still images and animations for this purpose, the video colleagues also help me prepare a reel that would be shown on the main page and on social networks. Basically me talking about the project, you can see the final version of it at The New York Times instagram account here.

Preparing the print

We usually go first on the web, then on print. So that means after we hit the publish button, I started to plan the pages for the print edition with a different team. Even tho we are using the same story as base line, the way of presenting things is different, new pieces should be produced taking into consideration the requirements of paper.

The process was sort of similar, first preparing assets in QGIS, render out black and white .tifs to be later used as color mask in photoshop, then merged in a color layer plus a black and white layer with the heights data baked in. Then those 2 layers went to blender to get the final base map. Annotations and other small details were done in Adobe Illustrator.

Blender setup for print.

A few different versions went around, because we move it to the front page, some small charts of context were dropped off. Here some of those early testing versions, some even with a few errors:

The print edition was published today (June 22, 2024) on a special format displaying the large map and a few more pages inside wrapping up the whole story with adaptations of the original content. The print team did an exceptional work, they have a lot of experience in getting the best version for the readers out there.

I started exploring this project in June 2022, and today, two years later, I find myself reading the last piece of the project finally published, there’s a sense of relief to know that I fulfilled the mission of reporting on this very relevant topic with such a display for the New York Times.

Thanks for reading, and don’t forget to buy this special edition of the paper.

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Digital pieces

2023: The year in graphics

As we prepare for the next year, it’s always nice to remember what we spent our time on during the latest Earth’s lap across the orbit. So, here’s a collection of my favorite details at work and other things I have done in 2023.

January: Wild weather

The beginning of the year was full of extreme weather events. We covered some, including the flooding in California, I was immersed in the coverage of the war in Ukraine, but, I did some maps that were not published, among them, a flood map showing the extent of the water using SAR data, and a count of buildings affected by the flood.

January was a month to think about all that I do, and no one sees. I thought that maybe, some of that stuff could be helpful to students or other professionals who are starting their careers. So I made a post showing how to visualize global temperature with data provided by NASA. Quickly I started to receive questions about it, so, I did my best to answer them all. Thanks all of you who reached out.

A map in Atlantis projection showing Surface Temperature Averages at 8am, Jan. 4, 2023

Later I learned some journalists around the world published stories with visualizations using my tutorial. It was very nice to know that I was able to help and I would love to do more of this next year when my other responsibilities allow me.

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February: The next stage of the war in Ukraine

At the beginning of the year we were trying to find clues about where the war in Ukraine was going. Military analysts gave us some opinions as to what the objectives of both sides could be for the spring, although none of the forecasts were accurate, we were able to create a series of maps explaining the aims of both sides.

I always make basic maps and draw things on top of them, like when you use a marker to explain ideas to your colleagues. My editor saw that and convinced me to publish a version of the maps with marker-like styles. You can see the piece at the following link without a paywall: The War’s violent Next Stage.

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March: War and Basketball

Earlier this year, all eyes were on Bakhmut. I did some pieces about how the Russians were slowly advancing from the east towards the city while the satellites captured the destruction caused by the fierce battle that the Ukrainians fought trying to maintain their positions.

But small projects also come while we are doing some other long or mid-term stories, like this one I helped with to cover college basketball player Caitlin Clark. The main visuals in the piece are photocompositions showing several of the player’s many shots. The images show the distance and position of each shot as if it were captured in a single photo.

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April: The fierce battles in the Donbas

After months of pouring resources into the war, we analyzed the progress of Russia in Ukraine in 2023, the declarations of taking over the Donbas were not accomplished, and in fact, the progress was reduced to just 4 small settlements. I particularly liked the concept of inking the streets according to whether they were either Russian or Ukrainian held, highlighting the urban areas a little better.

You can read the piece at here: How Russia’s Offensive Ran Aground.

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May: The fall of Bakhmut

In May, the battle for the city of Bakhmut that we had covered for almost a year finally reached a favorable outcome for the Russians when they managed to take the center of the city. We made a series of maps showing how the Russian forces slowly moved to engulf the city.

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June: A busy month of publications

Since I joined the Times team, on average, every month I have published two or three stories. But June of 2023 was a pretty intense month, I reported on breaking news like the train crash in India, the Kakhovka dam breach and the smoke from the Canadian wildfires. I also did other mid-term stories like the tragedy of the submersible that imploded in the Atlantic while trying to visit the Titanic wreckage, I also reported on the sudden rebellion of the Wagner forces marching towards Moscow, and another story about people using little figurines to protest against war in Russia through Instagram.

Almost at the end of June, we published an analysis of the challenges that Ukrainians face in their counter-offensive in the south of their country. The story shows some of the obstacles along a strategic 21-mile stretch that the Ukrainians must navigate if they wish to make their counteroffensive effective.

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July: Paper editions

The print edition always comes after we publish our stories online. And since the story of those 21 miles of obstacles was published near the end of June, it wasn’t until July that the paper version was published with the help of the print editors.

July was also a special month, I also received my copy of Nightingale magazine, where I contributed with an article about my reflections on things I have learned in these twenty years making graphics in different media/continents.

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August: Incognito mode

August was a month completely dedicated to a long-term project I’ve been working on for over a year now. As I write this post at the end of November, my hopes are that we will be able to publish very soon. I think once we publish I’ll be able to make a long #infofails post with all the stuff we won’t use including things like this:

But since I still can’t share much about it, I leave you an image of something else from August:

One of August’s entries of my weekend hobby at sundaysketchbook.art

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September: Natural Disasters

In the first week of September, an intense earthquake hit a mountainous region south of Marrakech, causing extensive damage to villages and leaving a high number of deaths and missing persons. During that weekend we made a series of maps to report the situation with various updates as we received updates.

Just a few days later, a storm system over the Mediterranean Sea wreaked havoc in Libya, especially over the city of Derna where shocking images showed how the water swept away the city. The rains were so intense that huge temporary lakes formed in the desert, some big enough to be seen from space.

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October: NY + Amsterdam

Reporting and preparing projects on Ukraine continued throughout this month. However, I was able to take made a quick pause to participate of Information Design Conference in Amsterdam for a few days. I shared a little about the work we do at the New York Times and my personal interests while I’m away from work.

But I have to say that the best part was the wonderful people I had the opportunity to meet there, including some well-known names in the data visualization field based in the Netherlands.

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November: The war in Gaza

A conflict that has been active for many years intensified at the end of the 2023. It is a really complex and delicate topic, so it’s not wise to provide opinions behind it. However, in November we took the initiative to gather information to report on the structures that are under Gaza and that have been documented by various sources including both sides of this conflict.

From the perspective of military experts, the piece shows the particularities of the tunnels in Gaza.

November also brought a very special moment for me as Ball State University invited me to their campus in Muncie, Indiana to receive the great honor of the Majeri Award.

Even though my trip began by forgetting my phone in a taxi in New York before entering the airport, the conferences with the students and every moment of that intense week were memorable.

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December: A chance for a snowy xmas

I’m not sure how intense this winter will be, I wrote this post at the end of November and we already saw a few snowflakes this week in New York City. Last year we barely saw snow in New York, the winter was very mild here, but maybe there is a chance for a white Christmas after all this 2023. I collected data from the US National Ice Center (usicecenter.gov) to make the map below showing the extent of the snow. The purple spots are population density from the SEDAC (sedac.ciesin.columbia.edu).

I promise I’ll make a tutorial to create snow visualizations soon. I did those maps above to see how the snow is already dancing around the north pole, but maybe we can run a story on snow if this winter turns out to be extreme (hopefully not).

Snow map November 30, 2023. US National Ice Center

Anyway, that was my 2023 in graphics.


Once again we say goodbye to the year, but before I switch into holidays mode, I want to thank all my colleagues at the Times, this was a great year, I couldn’t be more grateful to be able to share my days with all of you.

And to you all my www-friends, I wish you the best in this new beginning. Happy New Year!

See you all in 2024, Merry Christmas!

Some of my old collections

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Digital pieces

2022: My Year in Graphics

Looking back at what was the year has become a tradition. Each year has brought a great diversity of projects and 2022 also meant a complete adjustment of life. In the midst of changing media, countries, schools, etc., these were my favorite details from the graphics that were born during my first year at the New York Times.


January: A new year, a new purpose

January was a tough month of transition, I spent a lot of time doing paperwork, looking for a place to live, and settling in at The Times. The learning curve on the internal tools and ways of producing it turned out to be longer than expected, but in my spare time I had some space to try out some new terrain processing stuff to start what would become almost a year in maps.

One of the things I enjoyed the most was playing with the elevation data to render images like the one above with Blender. It’s a bit of a fiddly setup, but once you’ve got it, it can spit out some really nice base maps.


February: Winter olympics ❄️

A month later, I was little more confided about the environment and the first graphics started to bloom. I enjoyed being part of the team covering the Winter Olympics. I learned a lot about disciplines that until this point I completely ignored.

Eileen Wu Jumping at the Freeski Big Air competition. Winter Olympics Feb. 2022.
Screenshot of the interactive feature. Photographs by The New York Times © 2022.

Some of the pieces included photometrics, 3D transitions, and basic vector graphics as well. The process was very effective, even though the competitions were at crazy hours for New York (like starting work at 3 am) the pieces were ready in a matter of hours, just in time for you to enjoy over breakfast. That was possible because of the collaboration of the team, many of us working together for each key competency, but also because these things were so much easier to achieve with the internal tools that the team has produced.

Learn more about this story

If you haven’t seen it, or want to refresh your memory, you can enjoy one of these pieces here:
https://nyti.ms/3sn959n

In my opinion, some of the coolest things were these almost-real-time pieces our team produced for social showing the performance of the skaters:


March: War.

By the end of February, the war in the Ukraine had arrived. However, in my case, March was the starting point of a coverage that has kept me busy all year. Hundreds of maps, 3D models, diagrams, illustrations and more have been the tools to inform our readers about the unfortunate stories that this ruthless war has spewed.

I’ve worked on dozens of updates to our breaking news maps page. This page is a quick response to events happening in Ukraine due to war or related issues, each entry delivered in a “small capsule” format that is published in no more than a few hours in a single shift.

Some of the maps from our coverage of the war. The New York Times © 2022.

Learn more about the featured story

You can access the Ukraine maps page here: https://nyti.ms/3hiygbu

Perhaps the most complex aspect of this page, in addition to the short times to create the entries, is the collection and verification of the information, which is often an arduous task. With the passing of the months, posting have become less frequent, but not because we left the coverage, but because many topics were deepened on a separate page since a small informative capsule was not enough.


April: The worst of human kind

Working in the news exposes you to know the worst of humanity. It’s true that in the coverage of a war you do not expect to receive images of fields in bloom, but sometimes it can take you to visit the lowest points of the human kind. The map below is part of a dark history of the bodies of Ukrainians murdered in the streets of Bucha, a small city north of the Ukrainian capital. These were civilians, who in addition to being killed in their own town, could not find respect and peace until the Russians left.

The New York Times © 2022.

Here’s a compilation of the coverage posted on twitter by the NYT:
https://twitter.com/i/1513524818368516110

The same week we were working on that piece of atrocities, a shooting in NY’s metro trains happened. I did a small collaboration for the piece.


May: A shrinking war and tons failed maps

As snow was melting away in Ukraine, the Russians were also forced to move away from many regions in Ukraine. That was the main story I worked on in April.

A way to show evidence of their shrinking ambition was to look at the fighting reports we had collected over months from official Russian and Ukrainian statements and other sources. That gave way to those little maps that open the story.

Learn more about the featured story

You can access this story here: https://nyti.ms/3NACqpV

May was also a good time to share a bit of behind-the-scenes work from the perspective of failure, of course. I collected failed maps from the first 5 months of 2022. Some were ideas I wanted to try while working on mapping the same areas of Ukraine over and over again, and other times just observations that caught my eye.

If you are into nerdy mood for maps, you may want to check that entry of infofails here:

Just because this has been the year of maps for me, I found some free time to continue exploring with terrain processing, this time adding unusual colored textures to the base-maps of my beloved Costa Rica.


June: Modeling

One of the things I enjoy the most of my work is the chance to diversify the things I do. 2022 was a lot a bout mapping, but sometimes like in June, I had the chance to use something else to communicate, in this case Cinema 4D to create models of Russian equipment, including this terrible weapon that breaks into small fragments and mini-bombs that probably still lie dormant waiting to detonate in many places in the Ukraine.

The New York Times © 2022.

Learn more about the featured story

What Hundreds of Photos of Weapons Reveal About Russia’s Brutal War Strategy: https://nyti.ms/3tO4xui


July: Satellites

Having access to so many satellites is awesome. Those things flying over us all the time are a great tool to provide evidence for our stories. By July, I was working in a piece about the Azovstal Steel Plant in the city of Mariupol. That factory was a stronghold for the Ukrainians. But the development of circumstances led that industrial complex to become a horrible trap for civilians who ended up trapped with no way out for months.

Base img. by Planet Labs / The New York Times © 2022.

I used a large image of the plant to point out key locations, playing around with color and contrast of the things we really wanted to focus on first. But maybe the most interesting part of that piece was the radar data. I have use this data many times, there are plenty of ways to take advantage of the Sentinel missions data. The map below is the variance in the readings over a range of weeks, once processed it can show you where the structures of a city have being physically changing, in this case revealing evidence of damage by the war.

The New York Times © 2022.

Learn more about the featured story

If you want to learn more about it, visit the link below:
https://nyti.ms/3z44VGO


August: Taiwan

August brought Taiwan to the main focus. China decided to show its muscles encircling the island with military exercises so we presented a visual analysis of the particular conditions of Taiwan.

To do that I have the opportunity to work with my friend the super-talented Pablo Robles. I have worked with Pablo in different countries/media and I only can say he has an exquisite sense for design and graphics in general. We worked together for the first time at the NYT to produce these series of maps and graphics showing how China may choke the island in order to push it for an outcome similar as they did with Hong Kong.

The New York Times © 2022.

Learn more about the featured story

If you want to learn more about it, visit the link below:
https://nyti.ms/3Kl8dKY


September: war, sketches and hurricanes

Seven months of war had brought a lot of stories and hundreds of maps. September was also a turning point where the Russians have no option but back down its war. Ukraine managed to conduct some effective offensives taking advantage of some geographic conditions and Russian weakness. 

I always keep an eye on satellites data when a key development happens, in this case the thermal readings onboard of VIIRS satellites showed fire spots matching the advance of the Ukrainians.

Learn more about the featured story

If you want to learn more about it, visit the link below:
https://nyti.ms/3RAFvZe


– THE HURRICANE –

Towards the end of the month, a group of colleagues was working on coverage of Hurricane Ian. They put together the map below showing the intensity of the flooding caused by the hurricane. I collaborated with a very, very small part, but the work they did seemed simply impressive due to the magnitude of what it communicated.

Learn more about the featured story

If you want to learn more about it, visit the link below:
https://nyti.ms/3WbphZ5


October: More about the forces of nature

The Hurricane Ian caused a lot of damage in Florida, I worked on a piece precisely about that checking the before and after after the storm wiped out dozens of buildings. 

Learn more about the featured story

If you want to learn more about it, visit the link below:
https://t.co/797mloTUnU

Our coverage included realtime maps maintained by our team, I did my self some of that. Some maps were easier to update, and some other pieces included a little more of customization.


November: the return of the pencil

In early October the bridge connecting Russia to the illegal annexed Crimean peninsula got hit by an explosion. The structure wasn’t just a Russian symbol in Ukrainian soil, but a key supply line so its relevance was enough to trigger a large retaliation over Ukrainian structures in the following weeks to the explosion.

After analyst reviewed the evidence, we prepared a piece showing how it was very a difficult operation to plan, if it was planned that way by the Ukrainians. I thought an illustrated piece could do the main explanation well.

The New York Times © 2022.

Learn more about the featured story

If you want to learn more about it, visit the link below:
https://nyti.ms/3Gonvyw


December: Trenches and bugs

On Dec. 1st, I have this idea to do a new entry for the Ukraine maps page about trenches, short story is the piece grow with so many things I found, that we move it to its own page instead. I think every little thing lined-up to do analysis, I found a lot of evidence in radar data, great HD images from satellites with very few clouds, the military experts also give me great material from a few interviews a found a lot of good references for illustrations… all was set for a nice piece to say good bye to the 2022 with a final report on Ukraine.

Learn more about the featured story

If you want to learn more about it, visit the link below:
https://nyti.ms/3YoDxin

December also bring me a nice memory from the past. I did a small collaboration before I left Reuters a year ago (times flies wow) this December I saw it published by the mates of Reuters, it was so nice to see this published after so much time. So many great memories came back to me.

This project was full with amazing illustrations by my friend the talented Catherine Tai. Hipper realistic illos of beautiful creatures.


My 2022 list of graphics

There are only a few more days left in 2022, looking back at what this year has been like, there are so many sad stories. I sincerely hope that 2023 brings us all happier things to read. My thoughts are with all the victims of the war, and I hope that it ends soon for the good of the world.

Please consider visiting the links above, this is just a glimpse of what’s in these stories. For practical reasons, I have omitted many details and perhaps a broader perspective is necessary.

Here we are again saying goodbye for another year. I’m very grateful to all my teammates at The Times for the patience they all had with me in helping me through this transition year. To you all my www-friends, I wish you the best in this new beginning.

Animation by @Kirun via Giphy


See you all in 2023, Merry Christmas!

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blogging, infofails

The mismatch

Earlier this year I spent some time learning about the world of phenology. After reading some scientific papers and doing some interviews with researchers, I just found myself getting more and more curious about it.

If you google Phenology it will return something like “Phenology is the study of periodic events in biological life cycles and how these are influenced by seasonal and inter-annual variations in climate, as well as habitat factors.”

Since we live in a single network, studying the effects of climate on species brings us closer to what will inevitably also affect us, but it’s also a way to connects us a little more with all those other living beings with whom we share this space.

“The love for all living creatures is the most noble attribute of man.”

Charles Darwin

Darwin was right, after talking to a lot of people and understanding their passion for plants and animals, it is easy to understand the concern about the changes that some species are facing.

But moving on, if you have visited this blog before you may know where this is heading to… yup, this is another #infofails story. Here’s how all went wrong:

An unfinished illo for a blooming/ecological mismatch project I tried to run.

The embarrassment

The most embarrassing part of my failures is not facing your editor with a dumb idea, the hard part is getting excited about the information from sources and interviews and then watching time go by without you being able to develop the story you had in mind, especially if the people who spoke to you were super collaborative.

My first source in this endeavor (with whom I’m still embarrassed) was an Ecologist with the USGS. She shared with me some info from studies in the Gulf of Maine where she studies seasonal disturbances in marine life. In fact, it was she who explained to me what Phenology is. –Explained by a scientist who works on it.

My embarrassment also is with Richard B. Primack. He’s a Biology Professor at Boston University, I had a great conversation with him, he shared tons of great data.

You see, Prof. Primack has been studying and documenting the ecological mismatch for years, in 2016 he published a study where he explained how some birds arrived late to forage because spring is starting earlier. He show this example comparing the spring in 1850 describing the natural flow: first birds arrive, then leafs come, then insects appear, and finally flowers pop. Here’s a quick draft I did based on his publication:

Illustration of the Spring flow in 1850.
Sketches of the spring flow in 1850. Based on Prof. Primack’s paper published in American Scientist Magazine, 2016.

Makes sense doesn’t it? the observations show that these birds have continued to arrive on similar dates, but now spring is coming earlier. In 2010, for example, the leaves arrived earlier, so the insects also appeared earlier and spoiled the entire cycle for other species.

Spring 1850 vs 2010. Based on Prof. Primack’s paper published in American Scientist Magazine, 2016.

Staying with that same example from 2010, birds were observed arriving around the same date to find flowers when the insects should be just showing up. In other words, these days, for some species the natural flow looks something like this:

Sketches of the spring flow in 2010. Based on Prof. Primack’s paper published in American Scientist Magazine, 2016.

Prof. Primack along with many others researchers used Henry Thoreau’s observations to reconstruct the past of seasonal changes, that alone was a big story for me. So I went on and on, making more questions and asking for more data. And kindly they send me over tons of papers and tabular data.

Some of that data Prof. Primack shared with me included detailed records of plants and animals where he spotted those changes in spring and the struggling birds.

A data sketch I did with part of the data collected by Prof. Primack and a team of researchers merged with Thoreau’s records.

When I have a dataset that looks this interesting, I’m inevitably driven by ideas of how to show this in a story, it’s like a need of sketching data. At that point I need to somehow present this to my editors to push it forward and turn it into a story. Sometimes I spend time developing my ideas into sketches just to explain to editors what I’ve found interesting, but it’s not always as obvious to them as it is to me, so it’s necessary to write some paragraphs and accompany them with those images.

Some of the tree species that sprout leaves earlier. The steeper the slope of the red line, the earlier the leaves sprouted on average.

Just the right timing

That same process that I follow sometimes takes too long to put together a draft for my editors. When I came up with the proposal for this story, it was almost spring and it was hard to move a story past that window. That was just one of the things that spoiled the initiative I think.

It’s important to note that for those types of stories, I’m not developing the drafts over my daily work, but rather in free moments, which lengthens the process even more. But anyway, the lesson of this part was to keep an eye on your post window and not let your inner child distract you with what you find and diverge, maybe you’ll get the idea to the editors in time, it would be more easy for this to happen, who knows…

Adding more, more, more…

Certainly I was fascinated with the data and all the potential for a story, I was finding more and more data related to the same issue of animals struggling with the climate changes, the only problem was the this data was a little old already. Like this fascinating 2018 paper by Prof. Marketa Zimova + describing molting conditions in furry animals and how they struggle to survive when there is little snow and you are still covered in white fur. You may noticed the illustration at the top with a white hare on brown background which is kind of what they look to predators when there’s no snow around. Really sad the reality that these animals are going through, you know how it ends if you’re a white prey animal on a brown background.

A diagram based on the research data by Prof. Marketa from the University of Montana.

My second problem turned out to be that I was following the white rabbit into the world of tangencies. There is so much information on this that I started to integrate other studies and data, maps and things that led me to create a monster draft. A lot to digest from a news perspective maybe.

Earth temperature anomaly in April 2007. Based on NASA NEO. This event caused heavy damage to fruit tree crops during the spring of 2007.

A lesson from this would be to narrow the focus, crunching the idea down to its essentials can help early in the process. My mistake here was probably in choosing and editing the story I intended to show my editors. I added a thousand things on it, including interesting but a bit old data, maybe not the best selection for a news story.

While not everything should be breaking news, at least the focus of the story should be less scattered and consequently better defined.

Don’t follow the white rabbit. They tend to show you things that lead to a spiral of tangencies.
–A silly and perhaps inappropriate joke, sorry.
I hope you get the idea anyway.

We are experiencing climate change in many ways. In fact it’s easy to find news and research papers on early blooming and animal habitats threatened by seasons arriving earlier or later than they used to be and so many other changes that every species on this planet (including us) must endure.

If you’re in to news, I encourage you to talk more about this topic, worst case scenario don’t publish your story, but at least you’ll meet amazing people along the way and learn a little more about the fascinating world between us.


About #infofails post series:
I truly believe that failure is more important than success. One doesn’t try to fail as a goal, but by embracing failure I have learned a lot in my quest to do something different, or maybe it is because I have had few successes… it depends on how you look at it. Anyway, these posts are a compendium of graphics that are never formally published by any media. Those are maybe tons of versions of a single graphic or some floating concepts and ideas, all part of my creative process.

In short, #infofails are a summary of my creative process and extensive failures at work.

Are you liking #infofails?, have a look to previous ones:

01: Wildfires
02: Plastic bottles
03: Hong Kong protest
04: The Everest
05: Amazon gold
06: The world on fire
07: A busy 2021 kick off
08: Olympics
09: Floods
10: Doodles for news
11: Random Failed Maps

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